My cadenzas aim at "being allowed" by the composer. Since then - until I stopped playing professionally - these concertos have been on my repertoire. The cadenza is a one- minute piano solo in which the soloist performs. I wrote my cadenzas in the late forties of this century, when I was lucky enough to play all Mozart's concertos for the Dutch radio. Mozart’s 23rd Piano Concerto is perhaps his most famous and well-known work. But the existence of so many written cadenzas could warrant the hypothesis that many more must have existed (or will be discovered in time). I am practically convinced that the composer wrote all his own cadenzas, although he certainly was able to improvise them "on the spot". Salzburg, Austria DIED: December 5, 1791. 3 in G major, K.216 Print Program Notes JOANNES CHRISOSTOMUS WOLFGANG GOTTLIEB MOZART BORN: January 27, 1756. 3 in G major, K.216 Program Notes Mozart: Violin Concerto No. He was a born pianist, and I sincerely believe that his creative powers were doubled whenever he wrote a piano concerto. Mozart: Wind Concertos Alfred Prinz, Werner Tripp, Dietmar Zeman, Wiener Philharmoniker & Karl Böhm 9 SONGS 1 HOUR AND 17 MINUTES Purchase Options 1 Mozart: Clarinet Concerto in A Major, K. San Francisco Symphony - Mozart: Violin Concerto No. I think one may be certain that Mozart wrote his works for piano and orchestra in the first place for himself, even if he dedicated them, occasionally, to others (the Lodron Concerto for three pianos and orchestra, in F major, KV 242, and the famous Jeunehomme Concerto, in E flat major, KV 271). 21 & 24 them in long, complete takes in order to capture the live experience. Starting with this attractive, even somewhat exuberant piece of music the composer created a series of unequalled and very personal works: this twenty-one concerti and the two Rondos for piano and orchestra. Eugene Istomin and Gerard Schwarz recorded Mozarts Piano Concertos Nos. To me, Mozart's first "own" Concerto for piano and orchestra is the Concerto in D major, KV 175. 24 & 25 In his second disc of Mozart Concertos for Challenge Classics, Ben Kim confronts two great concertos, numbers 24 and 25. ![]() In the third place, I had to withdraw two "sets" of cadenzas of myself, because Mozart's own cadenzas were discovered after I had composed mine (this was the case with the Concerto for two pianos and orchestra in E flat major, KV 365, and with the Concerto in F major, KV 413). Secondly, I never played myself any of the early concerti of Mozart - KV 37, KV 39, KV 40 and KV 41 - because all four of them are more or less arrangements of compositions of contemporaries. First of all: whenever an authentic cadenza of Mozart himself was available, there was no need, of course, of composing another one (and no impulse either). Program note (English): This collection of cadenzas is limited in more than one way.
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